Riding In a Mardi Gras Parade: Morpheus 2014, part 3

JUMPING UP & DOWN, DANCING, & HAVING FUN (‘NUFF SAID)

Around the time my guests who’d I barely glimpsed receded behind our Jefferson Avenue float at the mouth of Lee Circle, fellow rider Debbie Cleary Rayor (who provided the video last post) experienced a particularly awesome moment of magic connection between crowd and rider:

I had several moments like that even from the top-level. By far my favorite was when I saw an elderly woman with 2 toddlers standing back from the crowd. I somehow managed to throw a Morpheus sheep far enough so that they could catch it. The woman was SO happy as she handed it to 1 of the kids. Due to the space/time vortex we’re in as the parade rolls, I was able to throw a Morpheus moon as well. She handed it to the other child & the 3 of them went crazy! Jumping up & down, DANCING, laughing, & having fun. They had no idea who threw the stuff & I didn’t care. It was just awesome that they were so happy.

Debbie & Her Krewe

Debbie & Her Krewe

Thus is the magic of Mardi Gras. Part of the impetus for this blog was to shed light on all the misconceptions floating around the non-Delta parts of this great nation, for it truly is a life affirming, community binding, spiritually nourishing beacon of light during the darkest part of the calendar. Yes, like our great nation its roots were intertwined with racism, violence, and condensation of the wealthy on the working class and poor. Like our great nation, it continues to struggle with many of these issues. Like our great nation, there are plenty of crass and classless citizens eager to besmirch its reputation while exploiting it for the lowest common denominator. But like our great nation, it is so much greater than a sum subtraction of its flaws, providing an oasis of hope and light in a harsh and unforgiving world.

And that concludes the soapbox portion of the program.

BLEACHER BUMS & MISSED OPPORTUNITIES TO SEE THE FUTURE

Lee Circle During Mardi Gras http://www.rrikbeck.com/new_orleans.htm

Lee Circle During Mardi Gras
http://www.rrikbeck.com/new_orleans.htm

Past the wide open expanse of Lee Circle (a traffic circle housing a statue upon a giant staired pedestal at its core) St. Charles Avenue narrows to a one-way street that flows Uptown except for the two weeks during Mardi Gras when a flood of parades rush down its final 8 block to Canal Street. Whereas St. Charles is the main artery running through Uptown, Canal is the other of the city’s two main cultural and commercial arteries (Bourbon is more famous, but carries little traffic and serves as more a [Read more…]

Riding In a Mardi Gras Parade: Morpheus 2014, part 2

PREMATURE PROJECTILE DISORDER

Jefferson Avenue Rolls Down St. Charles

Jefferson Avenue Rolls Down St. Charles
(Courtesy of Kyle Pantuso)

As we turned away from the river onto Jefferson Avenue (our float’s namesake!) a small crowd was waiting, though we wouldn’t ‘officially’ be underway until we turned back downriver along Magazine Street. By now, though, the anticipation was killing us and we began tossing beads and a few specialty items to the modest crowd as we passed these four ‘unofficial’ blocks.

Magazine Street, like St. Charles and Tchoupitoulas, runs the entire length of Uptown paralleling the river, housing the main commercial artery of Uptown. We would follow it for nearly a mile, turn away from the river again onto Napoleon for seven blocks, and continue upriver via St. Charles for three miles back to Canal Street which divides the French Quarter from ‘downtown’ or the Central Business District. After turning down Canal towards the river for four blocks we’d turn back on Tchoupitoulas, ending where we began. (This should give you an idea of the parade box trapping much of Uptown that I’ve spoken of previously.)

Although Secure In My Manhood, I Must Admit Don's (Right) Was Bigger Than Mine

Although Secure In My Manhood, I Must Admit Don’s (Right) Was Bigger Than Mine (Left)

As we crept along Jefferson waiting to make that final turn past ‘Go,’ my mind raced trying to figure out how to ration my seemingly modest pile of throws. Don’s and Kim’s, were double mine in size, though I did note they had a lot of medium-sized inflated balls, fleur-de-lis footballs, and long toy spears that took up a lot of space but would go quickly. I’d collected bags of plain beads in all sizes and colors with a little help from my friends (Kyle, Kelly, & Aimee; K.R.A.P. at Nyx; Krewe du Brew; and two bags left over from Mardi Gras 2011 via my Jacksonville friends) and these are compact and small so I should be able stretch them out. Still, as we at long last we made that critical turn I tentatively threw plain beads along with a few blue & sliver Morpheus moon & star strands, terrified that in my excitement I’d blow my multi-colored load before we were halfway through!

THREE SHEETS TO THE SOLAR WIND

My Bead Magnets (& Kyle) Back At Work At Lee Circle

My Bead Magnets (& Kyle) Back At Work At Lee Circle

I don’t now if it was the VH1 incident or a flat tire on a float or something else, but it was around 8:30 by the time we started to roll. Kyle and Aimee would text from Lee Circle where they were waiting at 10:08 (though I wouldn’t see the text until after the parade) to see if we had in fact been cancelled. Apparently there was a long wait after Krewe D’etat and much of the crowd was leaving. By then, though, we were well underway.

In 2011 My Jacksonville Friends Lustily Catching Beads I'd Throw Back in 2014

In 2011 My Jacksonville Friends Lustily Catching Beads I’d Throw Back in 2014

As we now crept in motion, I was definitely in full party mode. Even after a year of living in New Orleans I rarely drink to the point of true intoxication, yet had sailed through Chewbacchus three sheets to the solar wind and had lustily hit the open bar at Generations Hall while I rocked out to Bag of Donuts. On the float I had kept the spirit alive with beer and Jello shots. Once we were rolling in earnest, however, I wouldn’t even pause to think of taking a sip, completely oblivious that I had a beer open. In fact, once we started I didn’t think we were ever going to stop!

K.R.A.P. Lends A Hand

K.R.A.P. Lends A Hand

I’ve seen enough Mardi Gras parades to know that most of them cruise along for a while, get held up for a few minutes, start back up, and soon stall again. I don’t think this is by design and can be frustrating to viewers caught up in a frenzy of bead lust but provides time to reload and regroup if you’re a rider. Or so I guess. Perhaps it was that we were late or maybe we had unusually good fortune and a clear path, but once we hit Magazine we didn’t stop until we were almost downtown.

TIME WARPS…

I beg forgiveness for any distortions of time or space that have occurred in this recounting so far. They’re only going to get worse from here on out!

My heart was pumping with excitement as we began to greet the crowds, and my mind raced trying to soak it all in, struggling to process the instant bombardment of pleas from the people piled several rows deep on the sidewalk. It felt like we were doing 70 mph as we zoomed past the eager faces and outstretched hands, yet in actuality we would travel a paltry 5 miles in about two and a half hours, which is slower than I walk!

Footage of Frantic Crowds Taken From Atop Our Float: Courtesy of Debbie Cleary Raynor

I had been advised to [Read more…]

Riding In a Mardi Gras Parade: Morpheus 2014, part 1

THE REVENGE OF MAX HEADROOM

Beads Hung To Tantalize The Crowds

Setting Up In Tight Quarters

For our theme of Morpheus Cruises the Streets of New Orleans I was riding on float #6: Jefferson Avenue. To add a little extra flair to our Jeffersonian theme (and surely surpass the minimum required 15 pieces of flair), float lieutenant Kim Morgan glued a glitter outlined replica of the Declaration of Independence to the top of each hat. As I boarded the float in front of Generations Hall, though, there was a minor problem. I couldn’t stand up!

Although I didn’t have a tape measure, I’m pretty sure the clearance on the bottom level was about 6’6” between the horizontal rafters which hung much lower. I’m 6’4” so when I tried to stand my Declaration pushed against the ceiling, and I was certain I was going to knock myself out before the end of the ride on one of the low hanging impediments.

Jefferson Avenue Parked Outside Generations Hall

Jefferson Avenue Parked Outside Generations Hall

Waving in Kim’s direction, I informed her I needed to perform surgery, but she was so frazzled trying to wrangle the krewe in place that she just shrugged with a look of exasperation. “Do what ya gotta do!”

She’d used some mighty powerful glue, though, and the thick foam board wouldn’t detach so I finally ripped it in half. Even with the document removed, the top of my Shriners-style hat scraped the ceiling. And such are the tight quarters on a Mardi Gras float.

50 SHADES OF PURPLE, GREEN, & GOLD (ONE MAN’S TORTURE IS ANOTHER MAN’S TITILLATION)

Where Do The Riders Stand?!

Where Do The Riders Stand?!

I didn’t realize until Thursday loading day how tightly packed riders are, having little room left to stand once they load aboard all the goodies they’ll throw back to the crowd. Yet we’d be squeezed on here for at least six hours with nowhere to sit while wearing itchy costumes, plus masks for about half that time. (Legally masks must be worn during the parade, but the wait is just as long as the ride!)

Floats Under Construction At Mardi Gras World

Floats Under Construction At Mardi Gras World

Back in August I witnessed the actual construction of such a float while visiting and posting about Mardi Gras World. These giant jolly rolling boxes are framed with steel I-beams atop a trailer chassis, then the sides and center stairwell are filled out with plywood. Mercifully portalets are also built into the frame.

The upstairs is open above the waist-high wall but the floor creates a low ceiling below lined with hooks for hanging beads. Although convenient for storage, these bead repositories are really meant to tantalize the crowd so they can view the specialty beads that many will beg for but few will receive; however, an unintended but equally important function is served as the beads create a barrier and visual cue that keeps you from knocking yourself out on an I-beam, as I feared!

Aimee and Blue NinjaThe barrier is also waist-high below and is drilled with holes where you can screw in additional hooks, though I learned you needed to purchase these yourself. Eye hooks are sunk at regular intervals atop this wall for attaching your harness–you must remain strapped during the route or police can pull you from the float. (And that past Sunday two unharnessed riders had toppled off, as mentioned previously.)

Being strapped in such a tiny rolling box in cloying costumes while on your feet all day serving an encroaching mob of screaming strangers almost sounds like punishment. At the very least you’d think it was a crummy high school summer job at some local theme park; yet we had all paid good money for this privilege and were psyched out of our minds to do so, some traveling from all corners of the country. Again it’s good to note that Mardi Gras is [Read more…]

Mardi Gras 2014: Fueling Up For Krewe of Morpheus Parade With A Bag of Donuts

TOO TIRED TO GREASE A POLE

Welcome to Bourbon Street!

Welcome to Bourbon Street!
(No Wonder We Were Moving Slow!)

The night before my big day with Morpheus my friend Aimee had driven from Jacksonville for her first Mardi Gras, bringing nephew Kyle who is in law school there. His girlfriend, Kelly, flew in from San Antonio where they’re all from (though she was born in Baltimore) and it was the couple’s first trip to New Orleans at all. Thus, I’d rushed them to the Muses parade and then took them for their first (and only of the trip) obligatory stroll down Bourbon Street as is legally required of first timers. I wanted their first night in town to be memorable—mission accomplished (more on this in future posts)—but we stayed out much later than was wise before such a monumental day, for I’d been warned that riding on a Mardi Gras float was the longest—though greatest—day ever.

Thus Friday morning we missed the ‘Greasing of the Poles.’ Pole Greasing

For 44 years now the Royal Sonesta Hotel on Bourbon Street has been greasing the poles supporting their balcony to discourage onlookers seeking a better view, and I wanted to take the gang to see this spectacle although I was skeptical before they arrived that we’d actually get moving in time. The Greasing of the Poles began when parades used to roll through the narrow streets of the French Quarter before they grew too big and moved Uptown, yet the ceremonial ‘greasing of the poles’ continues. (And, besides, there’s still plenty to see on Bourbon, per the much publicized flashing that is mostly contained to this area.) New Orleans loves an excuse to party, so the suggestiveness of [Read more…]